About



Trevor Gureckis is an award-winning composer and producer based in NYC. His work spans film, pop and concert genres. His music often draws on his production experience and classical background, fusing electronics and live instruments in unique ways.

Most recently, Trevor scored the Apple TV+ series produced and directed by M. Night Shyamalan entitled ‘Servant’. The series will premiere on Novemeber 28th with the soundtrack coming out on Lakeshore Records.  Trevor composed the music for the  Warner Brothers and Amazon Studios film adaptation of Donna Tartt’s Pulizter Prize winning novel, ‘The Goldfinch’ directed by John Crowley, which premiered at this year’s Toronto International Film Festival. The score was critically acclaimed; described as "exceptionally fresh and disarmingly different" by The Hollywood Reporter, "stunning" by Paste Magazine, "fresh and vibrant" by the Chicago Daily Herald, and "elegant as a work of art" by PopSugar.

He is currently scoring director Neil Burger’s latest film ‘Voyagers’ to be released by Lionsgate in 2020. Other notable works includes; Blumhouse’s ‘Bloodline’ directed by Henry Jacobson, HBO’s ‘Vice: Raised in the System’, and EPIX's documentary ‘Election Day’. In the past, Trevor worked as Philip Glass’s sole music assistant for years on films such as ‘Stoker’ and ‘Transcendent Man’ performing and arranging on numerous projects.

Trevor produced the electro-pop band My Great Ghost which is featured on the Philip Glass remix album ‘REWORK_’ along with Beck, Cornelius, and Amon Tobin. He has done remixes and arrangements for artists like Niia, Mr Little Jeans, Mark Ronson and others.

In April, Trevor’s solo album of instrumental and electronic music entitled ‘Corte’ was released on SUPERTRAIN Records. His concert music has been performed throughout the country by ensembles like the Minnesota Orchestra, American Brass Quintet and the Cabrillo Festival Orchestra. His evening length ballet, ‘Potential Energies’, was premiered at BAM Fisher in 2014 by The Nouveau Classical Project. It was a collaboration with composer/producer Sugar Vendil and choreographer Barbie Diewald.

He studied composition at the Yale School of Music. His accolades include a Charles Ives Scholarship from the American Academy of Arts and Letters, a Jerome Foundation Grant, and an AMP Award. He was  shortlisted for Best Original Music for the AICP Awards in 2019 and 2015 and a finalist in LIA 2016 Awards for Music Adaptation. Trevor is a co-owner and ECD of Found Objects, a NYC based artist collective.


Contact

Direct:
trevor [at] gureckis.com

Manager:
Jennie Armon: jennie [at] foproductions.com

List of Concert Works

About Photo 1, 2,3: Jason Bergman, Jai LennardJames Autery
Backdrop Video: Clips from Niia’s ‘Sideline ft. Jazmine Sullivan (Live)’ dir. Garen Barsegian

Press


Slashgear: Servant Teasers
BBC 3 Sound of Cinema: The Goldfinch Interview
Pop Disciple: Servant and The Goldfinch Interview
Sound and Picture: The Goldfinch Interview
GTFM: The Film Show: The Goldfinch Interview
Outtake Magazine: The Goldfinch Interview
The Hollywood News: Bloodline Film Review
Vehlinggo: Bloodline Soundtrack Track Premiere
Paste Magazine: The Goldfinch Soundtrack Track Preview
Daily Dead: Bloodline Soundtrack Track Premiere
The Playlist: The Goldfinch Soundtrack Track Preview
Dead Central: Bloodline Soundtrack Track Premiere
Fly Fidelity: Bloodline Score Interview
POPSUGAR: The Goldfinch Soundtrack Release
Deadline: The Goldfinch Film Review
Slash Film: The Goldfinch Film Review
IGN: The Goldfinch Film Review
Screendaily: The Goldfinch Film Review
The Guardian: The Goldfinch Film Review
Nerdly: Bloodline Film Review
Kathodik.it:: Corte Album Review
The Wire: Adventures In Sound - Corte
Film Music Report: The Goldfinch Announcement
Birth. Movies. Death. :: Bloodline Film Review
Destroy the Brain: Bloodline Film Review
Slash Film: Bloodline Film Review
Top Tier Fandom: Wetlands Film Review
Art With Watson: First Lady of the World
CBS Radio Interview: IBM Cadillac House Installation
Pregame Magazine: Creative MVP Interview
Cornell Chronicle: Peter Gerakaris’s Tropicalia Installation
New Music Box: What Have You Been Up To?
New Music Box: Right Place, Right Time
New Music Box: Lost in Translation
New Music Box: Selling Out is Not Selling Out
I Care If You Listen: 5 Questions

Classicalite Q&A on ‘Potential Energies’
Mic.com: This Ballet Tells the Story of Our Generation
Bachtrack: Potential Energies: Where Musicians and Dancers Coexist
Den of Geek: Top 20 Sound Tracks 2013
Boing Boing: Philip Glass Machine
Filler Magazine Interview
The Fader: “Photograph” Premiere
Prefix Magazine: “Means To An End” Premiere
NYTimes: Les Poisson Rouge ‘Les Adieux’ Review
NYTimes: Glass Chamber ‘Psycho’ Players
New Music Box: ‘Very Large Array’ Review