Trevor Gureckis

“Exceptionally fresh and disarmingly different.”
The Hollywood Reporter on The Goldfinch — Read the review

“A score that goes between lullaby simplicity and experimental cacophony.”
The Hollywood Reporter on Servant — Read the review

“We're lucky to witness the arrival of a major new musical voice.”
John Crowley, director of The Goldfinch, in Paste — Read the feature

“Propulsive, drum-heavy score.”
Gizmodo on Old — Read the review

“The music always stands out.”
Below the Line on Servant — Read the feature

“A terrifying track from an unsettling score.”
Forbes on Servant — Read the review

“Lyrical and occasionally haunting.”
Bachtrack on Potential Energies at BAM — Read the review

EA and Motive trusted him with a high-profile remake as his first game score, and the reception proved them right.
Game Rant on Dead Space, paraphrased — Read the review